Tag Archives: ukulele note-reading

Ukulele Karate and Guitar Karate

With the start of the new year, I wanted to implement something new with my students. Over break I learned about Recorder Karate, created by Barb Philipak, which is a system of awarding different colored strings (representing the different colored belts awarded in Karate)  to recorder students as they progress through nine songs of increasing difficulty. I loved this idea, so I wanted to try it with my students.

Philipak also created “Ukulele Karate”, but I couldn’t find a pre-existing “Guitar Karate”. After looking into her Recorder Karate and Ukulele Karate systems, I decided that I wanted to create my own version. First of all, after looking into the order in which her belts are awarded, as well as looking into other martial arts systems that award belts, I decided on the order: white, yellow, orange, green, blue, purple, red, brown, and black. I bought a package of embroidery floss in these colors, and I will be cutting them to a length that can be tied around the headstock, near the nut, behind the strings (or worn as a bracelet if the student prefers). Also, instead of focusing on an individual song as the requirement, I wanted to really challenge my students and hopefully push them past what they might normally work on. My requirements for Ukulele/Guitar Karate incorporate my method books, and focus on chord-strumming, note-reading, and music theory. My hope is that this will give students the motivation to become more well-rounded musicians.

In my Ukulele Karate and Guitar Karate systems, the White Belt requirements focus on the first half of Unit 1 of both the Chord-Strumming and Note-Reading Method Books, and the Yellow Belt requirements focus on the second half of Unit 1 of those same books. The music theory requirement is to memorize the notes of the chords and scales they learn in these lessons. After those two belts the requirements will become increasingly more difficult. For example, the Orange Belt requirements will include all of Unit 2 of both the Chord-Strumming and Note-Reading Method Books, and by the Black Belt, there will be multiple units required. Also along the way I will add additional concepts and techniques such as different strumming rhythms, scales, riffs, finger-picking, etc.

A PDF of my requirements for White Belt and Yellow Belt as well as Note-Reading Unit 1 (part 1 for White Belt, part 2 for Yellow Belt) can be found under FOR MY STUDENTS on the UKULELE and GUITAR pages.

June Lesson Materials

Lately I have been working on extensive additions and edits to my Ukulele, Guitar, and Bass Guitar Method Books. I wanted to add more familiar songs to my Note-Reading Method Books for Ukulele, Guitar, and Bass Guitar, so I added Hot Cross Buns, Mary Had a Little Lamb/Merrily We Roll Along (both without  and with the high note), Ode to Joy, London Bridge, Ring Around the Rosie, Twinkle Twinkle Little Star, Row Row Row Your Boat, French Song, Old MacDonald, Yankee Doodle, and Happy Birthday. I added these songs at appropriate points throughout the lessons, all in various keys (mostly in C Major, F Major, and G Major, but a few of them are also in D Major and Bb Major). I also changed the name of my original Ukulele and Guitar Method Books to “Chord-Strumming Method”, in order to better differentiate it from the “Note-Reading Method”. I added and updated PDFs of all of these lessons on the “Ukulele”, “Guitar” and “Bass Guitar” pages.

In my Mallets Method Book, I added the same songs to Unit 1 (The Key of C Major), Unit 2 (The Key of G Major), and Unit 3 (The Key of F Major) and also updated the PDFs on the “Mallets” page.

For Bass Guitar, I also started a method book, which I am calling “Bass Guitar Chords Method Book” (for lack of a better name). This book parallels my Guitar Chord-Strumming Method Book, and is meant to teach a bass player what to play in order to follow the guitar player. It teaches the bass player what the root, 3rd, 5th, and octave is for each chord, so that they will know what their options are. My Guitar and Bass Guitar Method Books could be used together as a sort of “Rock Band Method Book” if a teacher needed material for guitar and bass students to play together. PDFs of the “Practice Instructions and Fretboard”, “Unit 1: Major and minor Chords”, and “Unit 2: Common Chords Progressions” of the Bass Guitar Chords Method Book can be found on my “Bass Guitar” page.

Please let me know if you use any of these teaching materials with your students, and if you find them helpful, or if you have any questions or comments.

January Lesson Materials

Throughout the month of January, there were many resources for my lessons that I worked on. They can all be found under the recently-streamlined “FOR MY STUDENTS” tab.

I started work on a method book for mallets. So far, I have unit 1 which is note-reading exercises in the key of C Major, unit 2 in the key of G Major, and unit 3 in the key of F Major. On the topic of note-reading, I started a ukulele note-reading method book and a guitar note-reading method book. Also for guitar, I created “Beginning Finger-Picking Patterns”, “Beginning Riff and Solo Exercises”, “Which Pentatonic Scales and Modes to Play Over Chords”, “Common Chord Progressions”, and “Reggae Strumming Rhythms”.

I also made a big addition to my Composition/Songwriting page. I included “Which Pentatonic Scales and Modes to Play Over Chords” and “Common Chord Progressions” from my guitar page, and also added staff paper of varying sizes, staves, and orientations. I created an entirely new document, “Composing Phrases, Periods, and ABA Compositions” so that I have a workbook to use with composition students, teaching them how to use common chords progressions found in major and minor scales and modes.

Please let me know if you use any of these teaching materials with your students, and if you find them helpful, or if you have any questions or comments.