“Toys in the Attic” and “Assassins” for Orchestra

Toys in the Attic and Assassins were my last two pieces from my Berklee Online 2022 Spring semester. They were my two projects from Orchestrating the Film Score with Live Sessions. Similar to Lunar/Solar in Composing the Orchestral Film Score, I had to submit evidence of the various stages of composing a film score which would be recorded by a live orchestra, however in this class there were two recording sessions: one for strings and another one for woodwinds, brass, and percussion. I had to pick “scenes” to score, and I chose a horror movie scenario for the string session and a montage for the woodwinds, brass, and percussion session. Again, I had to submit a sketch, a mockup, a score, a full set of parts, and a Pro Tools session for each piece for the remote recording session with Budapest Scoring. I will also be editing videos of the recording sessions for these two pieces once I have more time.

Here is the scenario I chose for my string session: “Teen ghost hunters searching the attic of an abandoned mansion, looking for signs of a young changeling poltergeist that’s been encountered by several late-night visitors. All of a sudden, every toy in the attic springs to life, and the kids run for their lives!” I ended the piece with music that is supposed to signify that the kids have been turned into toys by the changeling poltergeist. I also had to make it a “hybrid” cue by including sampled instruments or synths. I included snare drum, bass drum, and prepared piano.

For my woodwinds, brass and percussion session I chose a “Montage of professional assassins preparing for a hit.” I chose to take an “Assassin’s Creed” approach to the scenario. This cue also had to be “hybrid” with the addition of sampled strings, in order to make it a full orchestral cue. In previous recording sessions, I noticed that the drums tend to be very boomy and bleed into all of the other microphones, so I had them muffle the drums with towels (except for the timpani). This gave the drums a dry, punchy sound which I liked and it was much cleaner when mixing afterwards.

Genre Reels

In my Berklee Online Spring 2022 Semester Professional Film Scoring Skills 2 class I had to create reels for a variety of genres to show potential clients. I had to have a total of five reels: a general reel, a horror reel, a comedy reel, an electronic reel, and a fifth reel that was my choice. By the end of the semester, each reel had to have at least eight tracks. The first assignment was to put as much of my preexisting music as was relevant so that I could get feedback from my professor. Some of my tracks were too long (they shouldn’t be any longer than two minutes), some of my mockups were not up to par, and some reels just didn’t have enough tracks in them. I worked to implement this feedback throughout the semester.

Circus Clown (my rescore for He Who Gets Slapped), and A Date with a Ghost, (my score for Date) were two tracks for which I created new and improved mockups. A Mouse and an Elephant and Quirky Waltz are two brand new tracks that I composed to meet the requirements for my comedy reel.

Most of the tracks I’m not going to post because they are either short clips taken from one section of much longer tracks or a slightly shortened version of a track that was a little bit over two minutes. If you are interested in listening to any of these tracks in their “new forms” you can follow the links here: Classical/World/Electronic Hybrid, Cold and Hollow, Dracula’s Tomb, Electronic Groove with Drops, Floating in Space, Haunted House (from Complements IV), Lobsters, A Prophesy of Auras (from Aura), Sci-Fi Car Chase, Space Shooter, Suspense (from Complements IV), and Synthia. If you want to listen to any of my complete reels you can follow these links: Classical/Rock/World Music Hybrid ReelGeneral ReelHorror Reel, Comedy ReelElectronic Reel.