Tag Archives: ukulele karate

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More Guitar and Ukulele Method Books for Sale

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Lately I have been making it a priority to prepare more of my method books to sell. For a while I have been selling my Guitar Chord-Strumming Method Book 1 and my Ukulele Chord-Strumming Method Book 1, and over the past few weeks I also prepared my Guitar Chord-Strumming Method Book 2 and Book 3, as well as my Ukulele Chord-Strumming Method Book 2. As of now, they are only available for sale through me directly, but soon I will add links to purchase them online.

While my first Guitar and Ukulele Chord-Strumming Books are no longer available for free on my website, I did decide to make all of the materials for Guitar and Ukulele Karate White Belts available for free. On the GUITAR and UKULELE pages there are links to free PDFs for both the Chord-Strumming as well as the Note-Reading books “Unit 1 (part 1)”.

I also recently made some changes to my Guitar Beginning Riff Exercises (which was formerly known as “Guitar Beginning Riff and Solo Exercises”). I updated and re-formatted Unit 1 so that the Riff Rhythm pages are now “cut-outs” at the beginning of the book that are used with the progressions in different keys throughout Unit 1. This way I only had to print the pages of rhythms and progressions once. Since the Riff Rhythm pages are meant to be cut out and will become individual sheets of paper that might get lost, I’m going to leave the links to the PDFs of them on my page for free, even when I finish the book and start selling it. The other big change that I made was that I was originally going to have major pentatonic scales on the A string for Unit 2, but instead I changed it to minor pentatonic scales on the E string. My original thought was to do everything with major pentatonic scales then do everything with minor pentatonic scales, but I decided that it would be better to switch back and forth between the two. So to summarize, Riff Rhythms pages i and ii go with Unit 1: Major Pentatonic Scales on the Low E String, and Riff Rhythms pages iii and iv go with Unit 2: Minor Pentatonic Scales on the Low E String.

PDFs of all of these materials can be found under the FOR MY STUDENTS tab, on the GUITAR and UKULELE pages. As always, please let me know if you use any of these teaching materials with your students, and if you find them helpful, or if you have any questions or comments.

teaching

Guitar/Ukulele Karate: White, Yellow, Orange, and Green Belts

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I’ve been continuing to work on my Guitar and Ukulele Karate Belt requirements. I focused mostly on the Orange and Green Belts, but I also made some updates to White and Yellow Belt requirements (I’ll mention the changes below). In addition to strumming, reading, and music theory, I also added requirements from my Strumming Rhythms Index starting in Orange Belt (and continuing through Black Belt).

One of the main things I had to work on for my Karate Belt requirement was my Guitar Note-Reading book. I decided that I wanted to introduce the note High A in Unit 1, which is now in Lessons 14, 15, and 18, including additional songs. Because I added a few lessons to Unit 1 I wanted to shift some of the lessons from Yellow Belt to White Belt, so now the White Belt requirements (Unit 1, part 1 PDF) goes up to Lesson 7 (High D), and the Yellow Belt requirements (Unit 1, part 2 PDF) goes from Lesson 8 to Lesson 18. I also finished and added Unit 2: The Key of G Major, which is a requirement for Orange Belt, and Unit 3: The Key of D Major and Unit 4: The Key of A Major, which are both required for Green Belt.

I wanted to start adding pages from my Strumming Rhythms Index as requirements for Guitar/Ukulele Karate, but first I needed to give it a bit of an overhaul. Originally I was going to have rhythms with ties, but I took them out and instead focus on only adding rests to my “core rhythms”, which can then be played three ways: (1) letting the notes ring and just not strumming on the rests (which would give the sound of tied notes), (2) muffling the strings on the rests (the actual technical way rests should be interpreted in order to create silence), (3) play a muted strum on the rests (to create the “chick” sound). The main reason I did this was because writing out all of those variations would take this book up to over 200 pages, but also because I am more interested in making sure my students can count and play the rhythms, and less concerned with them being able read the rhythms in every possible variation that every songwriter/composer has ever notated. I also wanted to add rhythms with quarter notes and 8th notes in 6/4 time earlier in the book and I moved the rhythms in 6/8 time to later in the book (in the hopes that counting and playing in 6/4 first would help students have an easier time with 6/8 when it comes up). I also expanded my “Selective Strumming” exercises to include 6/4 rhythms, as well as a version of 4/4 rhythms with the high note on beat 3. The big addition was to add rhythms that use 8th notes and 16th notes in 2/4, 3/8, and 6/8, as well as variations of them using rests, and also “Selective Strumming” exercises based on them. I also separated the Strumming Rhythms Index into individual units to make it easier to find everything.

PDFs of all of these materials can be found under the FOR MY STUDENTS tab, on the GUITAR and UKULELE pages. As always, please let me know if you use any of these teaching materials with your students, and if you find them helpful, or if you have any questions or comments.

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More Note-Reading Units

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Since I’m continuing to focus on Guitar/Ukulele Karate, I worked on anything that is needed for the first couple of belts (White Belt and Yellow Belt). For both Guitar and Ukulele I split Note-Reading Unit 1 (The Key of C Major) into two parts to make it clear for the students what is required (part 1 is for White Belt, part 2 is for Yellow Belt). Also for both Guitar and Ukulele I removed any songs that have 8th notes, and I will eventually be including all of those exercises and songs (as well as others) in a later unit. I also made some adjustments/updates to Ukulele Note-Reading Units 2 (The Key of G Major) and 3 (The Key of F Major), and then created Unit 4 (The Key of D Major). Also, on Friday January 24th I awarded my first White Belt to one of my guitar students. She is well on her way to testing for her Yellow Belt, and I have a few students who should be able to get their White Belts soon.

I have a xylophone student who is coming to the end of Unit 3 (The Key of F Major), so I wanted to make sure that Unit 4 (The Key of D Major) will be ready for him. I also realized that when I am choosing melodies in a particular key, there are melodies where tonic/Do is the lowest note and the notes of the melody ascend from there (sometimes even reaching the higher octave tonic/Do), and some melodies have tonic/Do in the middle descending to the notes below (usually down to the dominant/Sol) as well as ascending to the notes above (sometimes to the high dominant/Sol). For ukulele I usually have to choose one or the other because the range of the ukulele is so small (and I’m not dealing with different hand positions moving up the neck yet), but since most mallet instruments span multiple octaves, I wanted to make sure I included both types of melody ranges (in multiple octaves). I added any “missing” exercises and melodies to Units 1, 2, and 3, and then created Unit 4 with the same format.

A few weeks ago I had the idea to restructure my Snare Drum and Drum Set method books. In my Snare Drum book, I’ve tried to teach all of the new rhythms in various meters, but it occurred to me that maybe I should introduce every new concept in 2/4 time first, then have two lessons in 4/4 time with plenty of variations, then have a lesson in 3/4 time. This way, all of the core rhythmic concepts and their variations can be simplified by dealing with only two beats at first. Then stretching those ideas out to 4/4, which is still very symmetrical, familiar, and comfortable, and also having two lessons in 4/4 time to really give the concepts an opportunity to settle into the students’ muscle memory. Then finally give them a challenge with the less-familiar/comfortable 3/4 time, before moving onto the next concept. In my Snare Drum book this is still a work in progress, so it will be a little while longer before I post them, but I was able to implement this concept in my Drum Set book. I had already followed that concept of 2/4 then 4/4 then 3/4, however, I only had one page in each unit devoted to 4/4. In each unit I added a second page of drum set beats in 4/4 with the snare drum is on beat 3 (instead of beats 2 and 4 like the initial 4/4 pages). I also added a unit with Bass Drum Variations in 2/4, 4/4 (both versions), and 3/4, which is now Unit 3. Four Measure Phrases are now Unit 4 and everything else is also pushed back a unit.

PDFs of all of these materials can be found under the FOR MY STUDENTS tab, on the GUITAR, UKULELE, MALLETS, and DRUM SET pages. As always, please let me know if you use any of these teaching materials with your students, and if you find them helpful, or if you have any questions or comments.

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Ukulele Karate and Guitar Karate

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With the start of the new year, I wanted to implement something new with my students. Over break I learned about Recorder Karate, created by Barb Philipak, which is a system of awarding different colored strings (representing the different colored belts awarded in Karate)  to recorder students as they progress through nine songs of increasing difficulty. I loved this idea, so I wanted to try it with my students.

Philipak also created “Ukulele Karate”, but I couldn’t find a pre-existing “Guitar Karate”. After looking into her Recorder Karate and Ukulele Karate systems, I decided that I wanted to create my own version. First of all, after looking into the order in which her belts are awarded, as well as looking into other martial arts systems that award belts, I decided on the order: white, yellow, orange, green, blue, purple, red, brown, and black. I bought a package of embroidery floss in these colors, and I will be cutting them to a length that can be tied around the headstock, near the nut, behind the strings (or worn as a bracelet if the student prefers). Also, instead of focusing on an individual song as the requirement, I wanted to really challenge my students and hopefully push them past what they might normally work on. My requirements for Ukulele/Guitar Karate incorporate my method books, and focus on chord-strumming, note-reading, and music theory. My hope is that this will give students the motivation to become more well-rounded musicians.

In my Ukulele Karate and Guitar Karate systems, the White Belt requirements focus on the first half of Unit 1 of both the Chord-Strumming and Note-Reading Method Books, and the Yellow Belt requirements focus on the second half of Unit 1 of those same books. The music theory requirement is to memorize the notes of the chords and scales they learn in these lessons. After those two belts the requirements will become increasingly more difficult. For example, the Orange Belt requirements will include all of Unit 2 of both the Chord-Strumming and Note-Reading Method Books, and by the Black Belt, there will be multiple units required. Also along the way I will add additional concepts and techniques such as different strumming rhythms, scales, riffs, finger-picking, etc.

A PDF of my requirements for White Belt and Yellow Belt as well as Note-Reading Unit 1 (part 1 for White Belt, part 2 for Yellow Belt) can be found under FOR MY STUDENTS on the UKULELE and GUITAR pages.