Tag Archives: bass guitar lessons

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October Lesson Materials

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I decided to rename my newly-created ROCK BAND page, so it is now called SONGS. I didn’t want it to be specific Rock music or to the Rock Band I’m teaching. Instead it is any genre of songs that I’ve come across and decided to transcribe. Also, the songs are suitable for many different ability levels, so there should be something for everyone. Since I want this to be a hub for all of the songs that I have music for, I moved “Songs with One Progression”, “Mary Had a Little Lamb / Hot Cross Buns Medley”, “Amazing Grace”, “Two Hanukkah Songs (Treble Clef and Bass Clef”, and “I Can’t Help Falling In Love With You” from the GUITAR, UKULELE, PIANO, MALLETS, and BASS GUITAR pages to the SONGS page.

With many of the songs I took multiple approaches to how I notated them. The “lyrics and chords” PDFs are similar to what you might find on most websites, except that I edited them and added a simple version of music notation using text (“|” is a barline, “/” is a beat or quarter note, “-” is a sustain, “X” is a quarter rest, etc.). For example, strumming a G Major chord for four beats (quarter notes) would look like this: |G / / / |. Strumming a G Major chord on beat one and letting it ring out for the remaining three beats (whole note) would look like this: |G – – – |. Strumming a G Major chord on beat one and then muffling/silencing it for the remaining three beats (quarter note, three quarter rests) would look like this: |G X X X |. This gives more clarity about what the harmonic rhythm is. The “tab” PDFs have text-based tablature for songs that go beyond chord-strumming and have simple riffs. The “riffs” PDFs use more detailed music notation for songs that have riffs that might be too complex for text-based tab. The “YouTube” links are so that students can listen to recordings of the songs. The “guitar tutorial” links are to YouTube videos of how to play more complex riffs and songs.

All of these materials can be found under the FOR MY STUDENTS tab, on the SONGS page. As always, please let me know if you use any of these teaching materials with your students, and if you find them helpful, or if you have any questions or comments.

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September Lesson Materials

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Since I’m going to be teaching the Fall Session of Rock Band at one of my studios, I created a new ROCK BAND page (under FOR MY STUDENTS). It includes materials such as “Notes on the Low E and A Strings”, “12-Bar Blues in G, D, A, and Am”, “Strumming Rhythms Index, Book 1 Summary”, “TNT by AC/DC”, and an easy version of “Nothing Else Matters by Metallica”. I will continue to add materials (mostly songs) as I finish them. All of the materials that are instrument-specific will still be found on my GUITAR, BASS GUITAR, and DRUM SET pages.

For Drum Set, I moved 12-Bar Blues from my Recital Songbook to my Method Book, since I have 12-Bar Blues in my Ukulele, Guitar, and Bass Guitar Method Books, not in the Recital Songbooks. There is a version at the end of each Level that incorporates what the students have learned up to that point. I posted new versions of Levels 1, 2, 3, 4, and 5.

The Guitar and Ukulele Recital Songbooks, Book 1 are now ready to sell. I posted a PDF of the first 6 songs so that students can still try try them out before deciding if they want to buy them. The PDFs also include some blank pages for songwriting, and there are still the recordings of songs 1 to 5 to listen to and/or play along with.

PDFs of all of these materials can be found under the FOR MY STUDENTS tab, on the ROCK BAND, GUITAR, DRUM SET, and UKULELE pages. As always, please let me know if you use any of these teaching materials with your students, and if you find them helpful, or if you have any questions or comments.

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End of 2024 Lesson Materials

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Happy New Year! Here is an overview of all of my lesson materials that I worked on for the last few months of 2024 (aside from my Christmas Songbooks).

I took my Strumming Rhythms Index out of my guitar and ukulele books (originally I was planning on having it as an appendix in those books) and made it into its own book. After the first page of rhythms in 4/4 time using quarter notes and 8th notes, I added a page of strumming rhythms in 2/4, 3/4, and 6/8 time also using quarter notes and 8th notes (dotted quarter notes in 6/8 time). The next 15 pages incorporate rests on various downbeats (students can either not strum on the rests, or if they are more advanced they can actually muffle the strings on the rests). Originally I didn’t include rhythms that had a rest on beat 1, but I added those rhythms to this new version. I added a section with rests on various downbeats in 2/4, 3/4, and 6/8 time (also including rhythms with rests on beat 1). I also added a new section incorporating what I call “Selective Strumming” which is halfway between strumming and picking, which many guitarists do. Instead of strumming all 6 strings, or picking only one string at a time, I first divide the strings into two sections (three strings each) to create “low” and “high” sounds (notated on a two-lined staff), then in later pages I divide the strings into three sections (two strings each) to create “low,” “middle,” and “high” sounds (notated on a three-lined staff).  To make it simpler, I didn’t add rests to these exercises (for now). Reggae Strumming Rhythms will eventually be a part of this book, but for now it is a separate document. The new Strumming Rhythms Index can be found on both the “Guitar” and “Ukulele” pages under “For My Students”.

I added some introductory pages to my Guitar Beginning Riff and Solo Exercises, to give an explanation for where major pentatonic scales come from and how they are played on guitar and why we use specific finger patterns. I also showed where all of the natural notes are along the low E string (up to the 12th fret) so the students can see where to start any major pentatonic scale. The rest of the unit has exercises playing four-measure phrases using a I IV V progression and 12-bar blues in various keys. I added more riff rhythms (some in different meters), so now there are two pages to go through in each of the keys (the second page incorporates leaps in the beginning or middle of the measure). The new Guitar Beginning Riff and Solo Exercises can be found on the “Guitar” page under “For My Students”.

In my Guitar Chord-Strumming and Bass Guitar Chords method books, I decided to swap Units 3 and 4 so that sus chords are introduced in Unit 3 followed by 12-Bar Blues in Unit 4. I made this change in the Guitar Chord-Strumming book, but I haven’t updated it yet in my Bass Guitar Chords book, so I just removed the old PDFs from the “Bass Guitar” page.

Like my Christmas Songbooks, I started preparing my Guitar Chord-Strumming and Ukulele Chord-Strumming books for publishing and to sell. Guitar Chord-Strumming Book 1 includes Unit 1: Major and Minor Chords, Unit 2: Common Chord Progressions, Unit 3: Sus2 and Sus 4 Chords, and Unit 4: 12-Bar-Blues (23 lessons). Ukulele Chord-Strumming Book 1 includes Unit 1: The Key of C Major, Unit 2: The Key of G Major, Unit 3: The Key of F Major and Unit 4: The Key of D Major (25 lessons).

Finally, I did an arrangement of Amazing Grace in the keys of C Major, G Major, and F Major. PDFs can be found on my “Guitar,” “Mallets,” “Piano,” and “Ukulele” pages under “For My Students”.

Please let me know if you use any of these teaching materials with your students, and if you find them helpful, or if you have any questions or comments.

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Christmas Songbooks

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I’m finally putting the finishing touches on my Christmas Songbooks and getting them ready to sell! Originally they were intended for my ukulele and guitar students, and a rough draft had been available on my website. Now I’ve separated the songs into two books, and both are available in the key of C Major and the key of G Major. For beginners I recommend the C Major version for ukulele students and the G Major version for guitar students, because they use the easier chords that are initially learned on those instruments. For intermediate students who have gone on to learn even more chords, I recommend the opposite keys (G Major for ukulele and C Major for guitar). Coming soon, there will be bass clef versions of both books, available in the same two keys, and possibly an alto clef version if there is enough demand for it. In the rough draft there were also two Hanukkah songs, but I took those two songs out and they are available separately for free (under “For My Students” on the instrument pages). 

All of the songs are arranged in the same way: with the melody and words in the top staff, and the chords with basic rhythm slashes in the bottom staff, which allows for the songs to be played in a number of ways. The initial way I intended is to stem the chords in the written rhythm, while singing the words and melody. If a student has started working on different strumming rhythms (from my Strumming Rhythms Index or from other resources) they could strum one of the other rhythms they learned in place of the written rhythm. If a student has learned to read the notes on the staff, they could play the notes of the melody (as long as the melody is within the range of the instrument). If the student has learned finger-picking, they could do finger-picking patterns for the chords instead of strumming them. If the student has started learning scales, they could play major and minor pentatonic riffs/solos over the chords.

There is also the potential for the books to be used for other instruments as well. If a piano student knows chords, they could play the melody in their right hand and play the chords in their left hand, or they could sing the melody, play the chords with their right hand and play the bass notes with their left hand. If a piano student doesn’t know chords, they could still play the melody with their right hand and play the bass notes with their left hand, or just the melody by itself with their right hand or both hands. (For piano students, I recommend C Major for beginners and G Major for intermediate students.) Voice students could sing the melody while they or their teacher plays the chords on piano as accompaniment. Any melodic instruments that read treble clef like flute, violin, mallet percussion instruments, etc. could also play the melody while their teacher plays the chords on piano. Instruments or singers that read bass clef like cello, string bass, bass guitar, bassoon, trombone, tuba, etc. could play the melody from the bass clef version of the books. (If enough viola students are interested, I will make alto clef versions of the books.) They could also be used to put ensembles of instruments together where some instruments/voices are playing the melody, others are playing the chords, and others a playing the bass.

The prices will soon be finalized once I finish assessing the printing costs, but they will all be reasonably priced. Book 1 is slightly shorter because it has 24 easier, mostly one-page songs, so it will be slightly less expensive. Book 2 is slightly longer with a few more songs than Book 1 and most of them are more difficult and two pages long, so it will be slightly more expensive. Soon there will be links to purchase all versions of the books on the instruments pages on my website.

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July Lesson Materials

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Earlier this month I taught a piano ensemble class for the summer camp at one of my studios. I had to come up with my own materials, so I created a series of exercises and songs that I though might be appropriate for various age groups an abilities. After the camp was done, I liked what I had come up with , so I decided I would use them with my private students as “Supplemental Piano Exercises”. While I still primarily use the Alfred books when I’m teaching piano, sometimes a student will need a little extra work on a concept before moving on, and since I’ve been incorporating more songs into my ukulele, guitar, and bass guitar method books, I figured that I should use them for my piano students too. Also, I thought it might be a good idea to introduce tetrachords and how they can be used to build major scales. These can be found on the “Piano” page, under “For My Students”.

I added some simplified exercises to the beginning of my Guitar Beginning Finger-Picking Patterns. I realized it might be too difficult to use the thumb and three fingers together right at the very beginning, so I created some basic rhythmic patterns using just the thumb and one finger at a time. Then I did some exercises using the thumb and combinations of two fingers at a time (found on the “Guitar” page, under “For My Students”).

In my Bass Guitar Chords Method Book, I finished Unit 3: 12-Bar Blues and Unit 4: Sus2 and Sus4 Chords (found on the “Bass Guitar” page, under “For My Students”).

Please let me know if you use any of these teaching materials with your students, and if you find them helpful, or if you have any questions or comments.

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June Lesson Materials

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Lately I have been working on extensive additions and edits to my Ukulele, Guitar, and Bass Guitar Method Books. I wanted to add more familiar songs to my Note-Reading Method Books for Ukulele, Guitar, and Bass Guitar, so I added Hot Cross Buns, Mary Had a Little Lamb/Merrily We Roll Along (both without  and with the high note), Ode to Joy, London Bridge, Ring Around the Rosie, Twinkle Twinkle Little Star, Row Row Row Your Boat, French Song, Old MacDonald, Yankee Doodle, and Happy Birthday. I added these songs at appropriate points throughout the lessons, all in various keys (mostly in C Major, F Major, and G Major, but a few of them are also in D Major and Bb Major). I also changed the name of my original Ukulele and Guitar Method Books to “Chord-Strumming Method”, in order to better differentiate it from the “Note-Reading Method”. I added and updated PDFs of all of these lessons on the “Ukulele”, “Guitar” and “Bass Guitar” pages.

In my Mallets Method Book, I added the same songs to Unit 1 (The Key of C Major), Unit 2 (The Key of G Major), and Unit 3 (The Key of F Major) and also updated the PDFs on the “Mallets” page.

For Bass Guitar, I also started a method book, which I am calling “Bass Guitar Chords Method Book” (for lack of a better name). This book parallels my Guitar Chord-Strumming Method Book, and is meant to teach a bass player what to play in order to follow the guitar player. It teaches the bass player what the root, 3rd, 5th, and octave is for each chord, so that they will know what their options are. My Guitar and Bass Guitar Method Books could be used together as a sort of “Rock Band Method Book” if a teacher needed material for guitar and bass students to play together. PDFs of the “Practice Instructions and Fretboard”, “Unit 1: Major and minor Chords”, and “Unit 2: Common Chords Progressions” of the Bass Guitar Chords Method Book can be found on my “Bass Guitar” page.

Please let me know if you use any of these teaching materials with your students, and if you find them helpful, or if you have any questions or comments.