Recently, I’ve been doing the opposite of what I normally do: I started taking materials off of my website. I did this because I realized that if I have PDFs of 8 units of material, then I make a change to something later on, I have to go back and replace all of those PDFs. Also, with many of my materials, most of my students haven’t gone past Unit 1. What I’m going to do now is to upload Unit 1 of all of my books, and as students finish that unit in a particular book and the need arises, then I will add Unit 2, and so on (if there are some books that have more than one unit posted, it’s because I have students who are already that far along).

A small change that I made to almost all of my books is the addition of the words “Flat” and “Sharp” to chord and key names the first time they are used (“B-Flat” “F-Sharp”). I realized that I had been using only the symbols and never provided an explanation, so I wanted to fix that. I added  what sharp, flat, and natural symbols mean to the Practice Instructions for the Guitar and Ukulele Chord-Strumming and Note-Reading Method Books, so that students can have that as a reference at all times.

A big change that I made was to add key signatures to the songs in all of my note-reading books. Back when I did my Christmas Songbooks, I made the decision to not use key signatures for the melodies in my G Major books because I wanted the students to be more likely to play the right notes the first time through and have more fun. It recently occurred to me that this should not be the thinking for method books, though, and they should be learning about key signatures. Key signatures have been added to my guitar, ukulele, and mallets books, and they will be added to my piano and bass guitar books going forward.

Another big change that I made was to rearranged the order that the scales are presented in my Mallets Method Book. Originally I presented the scales in different octaves and positions from low to high, but then I realized that I should start every new scale on the staff first, not below the staff with ledger lines. The new order is: (1) the scale from low tonic to high tonic on the staff, (2) the scale with tonic in the middle on the staff, (3) the scale that goes above the staff, (4) the scale that goes below the staff. To make communication in lessons easier, I numbered the exercises/songs, and as mentioned previously, I added key signatures to all of the songs.

PDFs of all of these materials can be found under the FOR MY STUDENTS tab, on the GUITAR, UKULELE, and MALLETS pages. As always, please let me know if you use any of these teaching materials with your students, and if you find them helpful, or if you have any questions or comments.